<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/12370/full</value></field><field label="Title" name="title"><value>Image of the exit from the basement parking garage of the Dallas City Jail</value></field><field label="Date" name="displayDate"><value>11/24/1963 - 11/25/1963</value></field><field label="Dimensions" name="dimensions"><value>2 x 2 in. (5.1 x 5.1 cm)</value></field><field label="Medium" name="medium"><value>Film</value></field><field label="Credit Line" name="creditline"><value>Waymon and Ann Rose Collection/The Sixth Floor Museum at Dealey Plaza</value></field><field label="Object number" name="invno"><value>2002.052.0162</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>35mm color slide.  The image shows the view from outside of the ramp.  The word "STOP" is painted in white letters on the ground in the right forefront of the image.  The opening to the ramp is in the middle of the image; on either side of it are blue/grey walls.

Written in pen on the original holder was, "13 Ramp at City Jail where Ruby shot Oswald."  Printed on the casing is also, "Kodachrome Transparency," and on the back, "Made in U.S.A."  Faintly, across from, "Made in U.S.A.," "FEB 64," has been stamped/pressed into the cardboard.

The film has been put into a black plastic holder that reads, "Original."</value></field><field label="Classifications" name="classification"><value>Photographs</value></field><field label="Id" name="id"><value>63829</value></field><field label="Width" name="width"><value>5.0800000000</value></field><field label="Height" name="height"><value>5.0800000000</value></field><field label="Source ID" name="sourceId"><value>22427</value></field><field label="Object" name="culture"><value>Slide</value></field><field label="Description" name="labelText"><value>Original 35mm color slide on Kodachrome Transparency film taken by Ruby trial jurist J. Waymon Rose showing the exit ramp from the basement parking garage at Dallas police heaquarters where Jack Ruby shot Lee Harvey Oswald. The image was likely taken the weekend of the assassination in November 1963. The word "STOP" is painted in white letters on the ground in the right forefront of the image.</value></field><field label="Terms" name="thesconcepts"><value>Basement</value><value>Photographs</value><value>Rose, J. Waymon</value><value>Dallas Police Headquarters</value><value>Dallas Municipal Building</value><value>Dallas City Jail</value><value>Dallas</value></field><field label="Media" name="media"><value displayOrder="0" mediaType="Image" mediaURL="https://emuseum.jfk.org/internal/media/dispatcher/12370/full" mediaId="12370"/></field><field label="Curatorial Commentary" name="textEntriesTextentries"><value>J. Waymon Rose (1922-2020) was selected as Juror No. 10 in the 1964 Jack Ruby trial. In 2002, Waymon and his wife, Ann, donated a remarkable collection of trial-related materials, including their personal diaries, three oversized scrapbooks, more than 150 letters and newspaper clippings and several amateur photographs such as this one. 
When Waymon Rose passed away in 2020 at the age of 98, the Museum lost a treasured friend. In addition to two oral history interviews, Waymon joined us to commemorate the 40th anniversary of the Jack Ruby trial in 2004 as part of a special panel discussion. He holds the distinction of being the very first guest speaker in the Museum's popular "Living History" public and educational program series, and he went on to participate in five more programs between 2009 and 2014. Two of these programs, recorded in 2013 and 2014, may be viewed in full on the Museum's YouTube channel. - Stephen Fagin, Curator</value><value>This photograph showing the ramp allegedly used by Jack Ruby to enter the basement of Dallas police headquarters was likely taken the day of or the day following the shooting of Lee Harvey Oswald, November 24-25, 1963. If so, it was snapped by a man who would be selected to serve on the Jack Ruby trial jury a little over two months later. Ruby's easy access to the basement, particularly by way of this supposedly guarded ramp, was a key component of that trial, making this photograph from the assassination weekend quite unique. - Stephen Fagin, Curator  </value></field></object>