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Image of the presidential limousine on Main Street
Image of the presidential limousine on Main Street

Image of the presidential limousine on Main Street

Object number1989.100.0011.0010
Date11/22/1963
ClassificationsPhotographs
Photographer Bill Beal
ObjectNegative (b&w)
Credit LineBill Beal, photographer, Dallas Times Herald Collection/The Sixth Floor Museum at Dealey Plaza
MediumFilm
Dimensions15/16 x 1 7/16 in. (2.4 x 3.6 cm)
DescriptionOriginal 35mm black and white negative taken by Dallas Times Herald staff photographer Bill Beal. This image shows President Kennedy, Jacqueline Kennedy, Governor John Connally and his wife, Nellie Connally, in the presidential limousine on Main Street. The Secret Service follow-up car is just behind the president's limousine. Agents can be seen standing on the running-board. The image was taken from a balcony at the Adolphus Hotel.
Curatorial Commentary
Notice the driver's door open on the presidential limousine. This tactic was used in heavily crowded areas to move spectators farther back from the motorcade. This was necessary since, as seen in this photograph, the car stayed to the left, keeping President Kennedy as far away from the crowds as possible. This put Mrs. Kennedy, in the words of U.S. Secret Service agent Clint Hill, "in a jeopardizing position." Hill, as seen here, rode on the back of the presidential limousine whenever he felt that the crowds were too close to Mrs. Kennedy. - Stephen Fagin, Curator   
Notice how the president's coat was bunched up near his neck.  The president wore a back brace that caused his jacket to ride up. The unnatural shifting of the coat to a higher-than-normal position caused investigators and conspiracy theorists some confusion when trying to line up the bullet hole in the coat with the entry hole in Kennedy's body.  With the coat in its normal position, one might mistakenly conclude the hole was actually lower on his body.  Such differences are part of the Single Bullet Theory, which is both lauded and derided by those who study the assassination.  - Gary Mack, Curator